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Jean-Baptiste Camille Corot
Teich von Ville-d'Avray
1873(1873)
Medium oil on canvas
Dimensions 43 x 80 cm (16.9 x 31.5 in)
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Jean-Baptiste Camille Corot
Wald von Fontainebleau
1830-1835
Medium oil on canvas
Dimensions 48 x 59 cm
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Jean-Baptiste Camille Corot
The Letter
1865-70
Medium Oil on wood
Dimensions 54 x 36 cm (21.3 x 14.2 in)
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Jean-Baptiste Camille Corot
Juive d'Alger
Oil on canvas
Dimensions 44.5 x 35.6 cm
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Jean-Baptiste Camille Corot
Een straat in Ville d'Avray
oil on canvas
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Jean-Baptiste Camille Corot
Chateau de Rosny
1840(1840)
Medium oil on canvas
Dimensions Deutsch: 24 X 35 cm
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Jean-Baptiste Camille Corot
Castelgandolfo
1826(1826)
Medium oil on canvas
Dimensions 36,3 X 28,3 cm
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Jean-Baptiste Camille Corot
Le concert champetre
1857(1857)
Medium Oil on canvas
Dimensions 0,98 x 1,30
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Jean-Baptiste Camille Corot
Lesendes Madchen in rotem Trikot
Date 1845-1850
Medium oil on canvas
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Jean-Baptiste Camille Corot
Modification of Orphee ramenant Eurydice des enfers
1861(1861)
Medium oil on canvas
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Jean-Baptiste Camille Corot
Algerienne
1871 - 1873
Medium oil on panel
Dimensions 41 X 60 cm (16.1 X 23.6 in)
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Jean-Baptiste Camille Corot
Orphee ramenant Eurydice des enfers
1861(1861)
Medium oil on canvas
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Jean-Baptiste Camille Corot
Landscape
circa 1872(1872)
Medium oil on canvas
Dimensions 38 x 56.5 cm (15 x 22.2 in)
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Jean-Baptiste Camille Corot
Jeune fille assise un livre a la main
circa between 1865(1865) and 1870(1870)
Medium oil on canvas
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Jean-Baptiste Camille Corot
Kirche von Marissel
1867(1867)
Medium oil on canvas
Dimensions 55 x 43 cm
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Jean-Baptiste Camille Corot
The bridge at Mantes
between 1868(1868) and 1870(1870)
Medium oil on canvas
Dimensions 46 X 60 cm
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Jean-Baptiste Camille Corot
View from the Farnese Gardens
1826(1826)
Medium oil on paper mounted on canvas
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| Jean-Baptiste Camille Corot
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(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
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